This June marks the beginning of a series of albums and EP’s recorded at the studio in the confines of the lauded Parisian Hotel Costes, inaugurating the scheduled releases is ’12 Days A Week’, a new album from the duo behind the project, Masomenos.
‘’After more than fifteen volumes of the Hôtel Costes’ infamous compilation series, selected and mixed by Stephane Pompougnac, there remained a huge demand to deliver new releases. The hotel chose instead to grow its musical presence over streaming platforms, accepting an invitation to become a curator for Apple music, where they release monthly playlists curated by the Studio HC team in collaboration with Watch Your Music.
During this time and a planned expansion of the hotel, a music production studio was introduced, hidden in the maze of the soon to be bigger Costes. STUDIO HC is run by the Masomenos team who have a long history of collaboration with the hotel in various forms and over the past two years have invited and worked with both classical and jazz musicians at, Masomenos merged into different entities to become merely a conductor, unearthing a wide array of different bands, and creating an intriguing yet warm, acoustic and electronic, downtempo/ambient sound for STUDIO HC. As a result the label is due to present seven albums and eight EPS to be released across the next two years from those involved in this endeavor.’’
Here ’12 Days A Week’ sees Masomenos, composed of Joan Costes and Adrien De Maublanc, deliver a modern tribute to the downtempo aesthetic of the revered compilation series, delivering a wide array of ethereal moods, textured atmospherics, organic drum grooves and avant garde jazz influences.
The duo have a long history of collaboration with the Hotel, having headed up a previous series focusing on a more minimal oriented sound with releases from Glacial, Seuil and themselves with their ‘Costes presents Bon Voyage’ project.
Here though ’12 Days A Week’ definitely marks a new era in the Masomenos Sound and the beginning of an exciting few years worth of music to come…
Molly (Rex Club): Beautiful !
Varoslav (Rue De Plaisance): nice! perfect music for my monthly show on rinse france. good vibes!
Alejandro Mosso (Hivern Discs, Meander, Third Ear): beautiful music!!! Congrats
Demi (Deeper Substance): full support…thank you for these and cannot wait for the rest to follow
Ryan Crosson (Visionquest): LOOOOOOVE!
Julietta (Sushitech / Harry Klein Records): Lovely!
Peter Kruder (Kruder & Dorfmeister / K7): Great sounds ! Thanks !
Reboot (Cadenza, Cocoon): Superb music! love it
Stillhead (Traum, Med School, Here & Now): Some wonderful sound design in here!
Michael Serafini (WNUR, Gramophone Records Chicago): Beautiful Album! Reminds me slightly of Aqua Bassino or Saint Germain. Great work
sunshine live vol. 68 – die heißesten und neusten electronic Dance-Tunes für eure Ohren!
Direkt aus der Heavy Rotation von Deutschlands electronic radio number one sunshine live mit Vollgas direkt in eure Player!
Ab dem 21. Juni ist Deutschlands Radio-Compilation Nummer 1 wieder überall im Handel und in allen Download-Shops erhältlich! Auf 3 CDs und Online mit zwei exclusiven Non-Stop Bonus Mixen…wer kann dazu schon Nein sagen!?
Randvoll mit den coolsten Tracks aus den Clubs und dem Programm von sunshine live! Mit dabei…Friends of Mayday, Hardwell & Mike Williams, Armin van Buuren, Scooter & Xillions Tom Novy, Tujamo, Tiesto, Moguai & Luciana, Don Diablo ft. Kiara und viele mehr!
sunshine live vol. 68 – und jede BeachParty wird zum Megarave! Ab dem 21.6. überall im Handel!
Fifth horror punk manifesto The Dixie Dead is certainly not stingy when it comes to good old-fashioned ghost stories: this time the maestro used celluloid classics such as „Poltergeist“ and „Hands of the Ripper“ for inspiration. Massive metal riffs and industrial undertones deliver the eerie soundtrack for those grim tales.
Stripped Down hits a super sixth release with the hugely prolific Basti Grub at the helm. Over more than a decade this German producer has turned out an always evolving and vast amount of EPs and LPs. Using a range of different instruments and modular synths he cooks up inventive minimal tracks that are dance floor focused but packed with new ideas. First up here is solo track ‘Would Be An Angel’ which has a zoned out quality thanks to the harmonic bell sounds and stripped back rhythms. Enchanting vocals are hypnotic and the various breakdowns build the tension, only for things to roll on again and surely get huge reactions in the clubs. ‘Amelie’ is the second fantastic offering and finds Grub link with DJ Slowhand, who has been resident at Tanzhaus West FFM since 2011. Together they cook up a sparse techno track that takes you on a journey to the heavens, with lush chords, choral vocals and synth orchestration all exuding clean, crisp and classy feelings of subtle euphoria.